Owen sat there a minute staring at her. "Ah, you're beautiful, more beautiful than any one," he broke out, "but I'll be hanged if I can ever understand you! On Tuesday, at your father's, you were beautiful—as beautiful, just before I left, as you are at this instant. But the next day, when I went back, I found it had apparently meant nothing; and now, again, that you let me come here and you shine at me like an angel, it doesn't bring you an inch nearer to saying what I want you to say." He remained a moment longer in the same position; then he jerked himself up. "What I want you to say is that you like me—what I want you to say is that you pity me." He sprang up and came to her. "What I want you to say is that you'll save me!" Blankness was for a moment on Mrs. Gereth's brow; then light broke—she visibly remembered the scene in the breakfast-room after Mona's night at Poynton. "Because I contrasted you—told him you were the one?" Her eyes looked deep. "You were—you are still!"!

"I haven't the least idea," said the girl. "She didn't know I want you, my dear. It's a wonder, with all my violence—the gross publicity I've given my desires. But she's as stupid as an owl—she doesn't feel your charm."

Fleda immediately guessed from his tone that he had not come in to say what she supposed; there was even something in it to confirm Mrs. Gereth's belief that their danger had dropped. She was sure, moreover, that his tribute to Mona's taste was a repetition of the eloquent words in which the girl had herself recorded it; she could indeed hear, with all vividness, the pretty passage between the pair. "Don't you think it's rather jolly, the old shop?" "Oh, it's all right!" Mona had graciously remarked; and then they had probably, with a slap on a back, run another race up or down a green bank. Fleda knew Mrs. Gereth had not yet uttered a word to her son that would have shown him how much she feared; but it was impossible to feel her friend's arm round her and not become aware that this friend was now throbbing with a strange intention. Owen's reply had scarcely been of a nature to usher in a discussion of Mona's sensibilities; but Mrs. Gereth went on, in a moment, with an innocence of which Fleda could measure the cold hypocrisy: "Has she any sort of feeling for nice old things?" The question was as fresh as the morning light. "I could give up everything without a pang, I think, to a person I could trust, I could respect." The girl heard her voice tremble under the effort to show nothing but what she wanted to show, and felt the sincerity of her implication that the piety most real to her was to be on one's knees before one's high standard. "The best things here, as you know, are the things your father and I collected, things all that we worked for and waited for and suffered for. Yes," cried Mrs. Gereth, with a fine freedom of fancy, "there are things in the house that we almost starved for! They were our religion, they were our life, they were us! And now they're only me—except that they're also you, thank God, a little, you dear!" she continued, suddenly inflicting on Fleda a kiss apparently intended to knock her into position. "There isn't one of them I don't know and love—yes, as one remembers and cherishes the happiest moments of one's life. Blindfold, in the dark, with the brush of a finger, I could tell one from another. They're living things to me; they know me, they return the touch of my hand. But I could let them all go, since I have to, so strangely, to another affection, another conscience. There's a care they want, there's a sympathy that draws out their beauty. Rather than make them over to a woman ignorant and vulgar, I think I'd deface them with my own hands. Can't you see me, Fleda, and wouldn't you do it yourself?"—she appealed to her companion with glittering eyes. "I couldn't bear the thought of such a woman here—I couldn't. I don't know what she'd do; she'd be sure to invent some deviltry, if it should be only to bring in her own little belongings and horrors. The world is full of cheap gimcracks, in this awful age, and they're thrust in at one at every turn. They'd be thrust in here, on top of my treasures, my own. Who would save them for me—I ask you who would?" and she turned again to Fleda with a dry, strained smile. Her handsome, high-nosed, excited face might have been that of Don Quixote tilting at a windmill. Drawn into the eddy of this outpouring, the girl, scared and embarrassed, laughed off her exposure; but only to feel herself more passionately caught up and, as it seemed to her, thrust down the fine open mouth (it showed such perfect teeth) with which poor Owen's slow cerebration gaped. "You would, of course—only you, in all the world, because you know, you feel, as I do myself, what's good and true and pure." No severity of the moral law could have taken a higher tone in this implication of the young lady who had not the only virtue Mrs. Gereth actively esteemed. "You would replace me, you would watch over them, you would keep the place right," she austerely pursued, "and with you here—yes, with you, I believe I might rest, at last, in my grave!" She threw herself on Fleda's neck, and before Fleda, horribly shamed, could shake her off, had burst into tears which couldn't have been explained, but which might perhaps have been understood. It was a great relief to the girl at last to perceive that the dreadful move would really be made. What might happen if it shouldn't had been from the first indefinite. It was absurd to pretend that any violence was probable—a tussel, dishevelment, shrieks; yet Fleda had an imagination of a drama, a "great scene," a thing, somehow, of indignity and misery, of wounds inflicted and received, in which indeed, though Mrs. Gereth's presence, with movements and sounds, loomed large to her, Owen remained indistinct and on the whole unaggressive. He wouldn't be there with a cigarette in his teeth, very handsome and insolently quiet: that was only the way he would be in a novel, across whose interesting page some such figure, as she half closed her eyes, seemed to her to walk. Fleda had rather, and indeed with shame, a confused, pitying vision of Mrs. Gereth with her great scene left in a manner on her hands, Mrs. Gereth missing her effect and having to appear merely hot and injured and in the wrong. The symptoms that she would be spared even that spectacle resided not so much, through the chambers of Poynton, in an air of concentration as in the hum of buzzing alternatives. There was no common preparation, but one day, at the turn of a corridor, she found her hostess standing very still, with the hanging hands of an invalid and the active eyes of an adventurer. These eyes appeared to Fleda to meet her own with a strange, dim bravado, and there was a silence, almost awkward, before either of the friends spoke. The girl afterwards thought of the moment as one in which her hostess mutely accused her of an accusation, meeting it, however, at the same time, by a kind of defiant acceptance. Yet it was with mere melancholy candor that Mrs. Gereth at last sighingly exclaimed: "I'm thinking over what I had better take!" Fleda could have embraced her for this virtual promise of a concession, the announcement that she had finally accepted the problem of knocking together a shelter with the small salvage of the wreck.